When Michael (Peter Cilella) decides to intervene to save his friend, Chris (Vinny Curran), from the throes of methamphetamine addiction, he chains him to a pipe in a cabin to induce withdrawal. However, as the days pass, the pair begin to question their collective sanity after some uncanny events.
Resolution might be the most thought-provoking horror movie I have seen in a very long time. Many commenters point towards films such as The Shining or OldBoy when discussing ‘thinkies’, but I feel that Resolution more than deserves its place among these classics. Nevertheless, my eulogising of this independent horror film should come with a warning; Resolution is not for everyone. In fact, I’d argue the paths which the film take might put this in a micro-category of its own.
Artfully shot, fantastically acted, and completely void of music, this creepy meta-tale of friendship, loyalty and absolution will be hard to digest for some. Unconventional is a word I will use to describe the final act of the movie, and when the credits appeared, my initial thoughts were ‘is that it?’. However, I have been thinking about this movie since Wednesday, and I would group this with Primer, insofar as I am still trying to piece together the mystery and story.
Throughout the movie there is a thick, heavy sense of dread, which intensifies as we hit the third act, yet the ‘monster’ is not ever truly established or revealed. Glitches on screen are used to alienate the audience, which is postmodern in style; the director has knowingly employed clichéd genre tropes to a stunningly original effect.
Over the course of the movie, the pair begin to see into the future via a series of video clips and audio recordings, at each time managing to avoid their impending murder. Throughout this story, Chris is adamant he will not go into rehab when they get out of the situation; the character arc is satisfyingly rich and brilliantly acted by Curran. When the final conflict occurs, he decides that he needs to turn his life around and check into rehab. As this happens, the glitches we have been seeing over the whole movie flash and a shadow appears over the characters. They look directly into the camera and state something along the lines of ‘…have we done it wrong? Should we do it differently?’. I believe that this line turns the audience into the monster, and that the director is making a statement about horror movies and our relationship with the archetypal characters with whom we are all so familiar. At each step, Chris and Michael make decisions based on logic, while at the same time learning about themselves and each other. It’s possible to forget you are watching a ‘horror’ movie at points, yet the feeling of dread undercuts moments of humour and drama, which keeps reminding us of the horror genre and it plays on our expectations; by addressing us directly I believe it’s an admission that we were expecting them to die due to the nature of the genre. It’s a play on the ‘give the audience what they want’ type of thinking in movies.
Resolution was a difficult beast to dissect and I feel I have only scratched the surface of this postmodern, meta-horror. It was funny, tense, wonderfully shot and excellently scripted (despite an overkill amount of the work ‘fucking’). I don’t want to come across as a hipster for liking this movie, because it honestly is not for everyone, but if you watch it, you’ll definitely have something to think about for a long while.