When a family reunite for their parent’s 35th wedding anniversary, they find themselves at the end of a, seemingly random, murderous rampage. As things progress they realise that the perpetrators are willing to stop at nothing.
Bloody glorious. There’s my hand.
Right from the outset of You’re Next, we are treated to an orgy of dark humour, intelligent camerawork, gore (and shit loads of it), a score that goes from bouncy Americana to Lynchian industrial drones, and characters that do smart and dumb things, the latter enough for you to get behind their…demise.
Director, Adam Wingard, has constructed a movie that feels “refreshing”; in an age where a creative team can lose their project to the economics of moviemaking, You’re Next doesn’t bear the hallmarks of something into which a studio has sunk their agenda. This is a movie made by a director that reveres the horror genre and hasn’t had to temper his reverence for anyone.
Wingard and his cinematographer, Andrew Droz, use lenses exquisitely throughout this film. The dynamics between the siblings are developed with a shallow depth of field, and we always seems to be very tight into the frame, with not a lot of breathing room for our eyes. This enhances pace, especially with the handheld camera, which creates a rolling stone of high tension. When the movie slows down and we are treated to the occasional jump scare, they never feel cheap, and are usually prologued or epilogued by a moment of dark humour; it’s a horror movie at heart, but there are some truly hilarious lines of dialogue and darkly comic kills towards the end. This seems to be Wingard’s specialty.
The kills in this movie are some of the most inventive in recent memory. I cannot go into specifics but there is one that will literally blow your mind it is that good. Much like this review, plot becomes secondary towards the end, and when incentives are revealed I didn’t care anymore. I was just grinning from ear to ear!
Before the proverbial hits the fan, there is a cameo from another ‘It Director’ from the horror genre, which, in my screening of horror nerds, went down extremely well, and we all loved his demise. ‘Strangers in the cinema’ barriers were broken at that very moment, and we all got behind the movie together, which hardly ever happens in a multiplex theatre.
You’re Next is not without its cliches, although I do think Wingard uses them knowingly to create moments of humour and to be ‘that meta guy’, but I have to say it’s the most fun I have had watching a new horror movie in a very, very long time. If someone asked me to watch it again at the weekend, I’d happily say ‘you pick the seats and I’ll book the tickets’.
I wonder if/when Wingard is going to try his hand at a straight up comedy?
Categories: General Reviews