The Conjuring

CONJURE

Insidious, I think it’s fair to say, was a movie that chilled a fair number of people out there. Unfortunately, it was on my ‘Meh’ list of last year. It held me for an hour, and, although it didn’t completely shit the bed, I felt the ending was weaker than a Smirnoff Ice. Regardless, being a fan of the first Saw movie, and liking James Wan’s general style and the way he tells a story, I jumped at the opportunity to see The Conjuring.

Based on true events: When a young family move into an old farmhouse, their lives get turned upside down by forces only a married couple of paranormal investigators can seem to understand. As things get more intense, the relationships between the family, their gifted helpers and the local police get tested to breaking point.

And that, in a nutshell, is the story of most ghost/paranormal movies you’ve seen in the last 43 years.

However, and that’s a big however, The Conjuring may be the tipping point for commercial horror…in a hugely positive way. In my opinion, this movie was almost a complete success! It was genuinely scary and unsettling, the likes of which I haven’t felt since I was a young kid, and trust me, I have been searching. There were points in this movie during which my skin tingled with terrified euphoria, and it felt so fucking great.  The scares were lingering and not persistent, they were all varying degrees of terror, and although there were few moments of original horror, what was on show was absolutely engaging and never felt pointless. And the trailer didn’t reveal some of the best moments, which was refreshing!

Wan has constructed a movie that pays subtle homage to 70s cinema in general, especially when you look at the camerawork. Within the first 20 minutes we have a rapid zoom from the foreground, across the garden and onto one of the daughters who is playing at the foot of a tree about 100 metres (109 yards) away. This trend of self-aware zooms and exciting pans really enhanced what was on screen, and along with the costumes and set design, the movie was a thoroughly satisfying visual treat.

Vera Farmiga and Patrick Wilson play the Warrens, a real-life husband and wife paranormal investigation team. While the subject matter lends itself to scrutiny, their performances were completely believable and I never questioned their relationship. The tour de force on show was complemented by the rest of the cast, with standout performances from the dead pan Ron Livingston and his family, especially one of the youngest daughters (Joey King). Moments of light humour peppered the runtime, which actually enhanced some the scares, and I feel James Wan employs comedy as a tool to break down audience suspension of disbelief enough to get people emotionally invested in the story.

It was not without its flaws, however, as was evident when the ending ramped up. What I felt could have been a fantastically dark ending was hampered by the ‘true story’ elements, and it did almost get into cloying Disney territory. The big strings and bright sunshine felt like I was watching the end of Who Framed Rodger Rabbit, regardless of the Inception-esque final shot.

All-in-all, The Conjuring was a shining example of how you make a mainstream horror movie without the need for torture porn or slasher villains. While elements were directly referencing the demonic movies of the 70s, it was paced well enough, looked beautiful enough and was directed adeptly enough for it to hold the attention of a mainstream audience. It won’t be considered a classic, but it’s absolutely worth your admission money.

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Categories: General Reviews

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14 replies

  1. Awesome review. I agree with literally every point you’ve made.

    I’m especially fond of the line, “And that, in a nutshell, is the story of most ghost/paranormal movies you’ve seen in the last 43 years.” In theory, this should totally deflate the effectiveness of this film. But in actuality, it kind of explains why it succeeded.

    • I think it goes someway to describing exactly why it works, however I think it also should be credited to James Wan and his style. The guy definitely understands how to construct an engaging movie!

      Cheers for dropping in mate!

  2. Good review. It was a good time at the movies, even if I wasn’t honestly scared to death. That’s just me though.

    • I honestly haven’t felt the chills from a horror movie since X Files ‘Tombs’ episode with the weird shapeshifter man. The last true euphoria skin was with Inception because that film makes me feel electric! Insane. Cheers for the comment!

  3. Great piece man. Glad to see another person approve of this, it was a very nice and big surprise for me too. I had long since given up on finding a good scary contemporary film anymore. Bravo, James Wan, bravo.

    • Absolutely! It’s nice to find people that agree with my points, and it’s amazing to see the different reactions to the film in general. I think it is a sign of a successful movie if it can engage debate in the way this movie has. And Wan, a very adept filmmaker indeed!

  4. Nice review. I had a good time with this although it was a bit cliched. It was like it was ticking all the horror boxes as it went along at times. And I agree with the ending, it just went too over the top and really wasn’t all that scary. Good performances though.

    • Thanks mate! I feel it ticked boxes but it certainly wasn’t horror by numbers. It has an atmosphere that I think a LOT of horror directors would kill for their movie to contain. It was literally oozing tension throughout. And it looked amazing as well.
      What did you think of the two similarly-toned movies from last year; Insidious and Sinister?

      • You’re right about it oozing tension, especially for the first two thirds. I was gripping the arms of my seat for most of it! I haven’t seen either of those two to be honest. I don’t watch that many horror films but I’ve heard that they were both pretty decent. The trailer for Insidious 2 looks proper freaky though!

  5. Refreshingly well acted for a horror film. They also nailed the creepy atmosphere. However, I did not find this film very frightening.

    • There were a couple of moments in which I had to grab my jacket and put it over my mouth. It was veeeery tense, and I think to see it at the cinema is the way forward as you can feed off the audience! The acting was definitely one of the strongest points, as well as the atmosphere, which was so thick you could cut it with a knife!

  6. Good review. 🙂 Glad you enjoyed this so much! I really liked this one as well. A nice break from far too many BAD horror films in recent years.

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